Play Along Piano

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Handel

ecpflute

3:38	Est. Play Time
91	Measures
	1,082Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	12	1	0	8	91%
	15	2	2	8	95%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	12	1	0	8	91%
	15	2	2	8	95%
	14	2	1	8	99%
	12	2	2	8	98%

Messiah| No.44: Hallelujah

Pete Alan

3:32	Est. Play Time
94	Measures
	2,858Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
Violas	16	0	2	8	99%
Bassoon	17	0	2	7	98%
Violins I	20	0	1	9	98%
Horn	13	0	1	8	96%
Tenor	13	0	1	8	96%
Violins II	21	0	3	8	96%
Bass	14	0	2	8	95%
C Tuba	14	0	2	8	95%
Trombone	14	0	2	8	95%
Alto	13	1	2	8	91%
BaccidentalFlat Clarinet	13	1	2	8	91%
Flute	12	0	0	8	88%
Oboe	12	0	0	8	88%
Soprano	12	0	0	8	88%
BaccidentalFlat Trumpet I II	11	1	1	8	72%
Timpani	2	0	0	7	50%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
Violoncello (Continuo)	19	0	3	6	100%
Alto as Dorinda	15	0	4	8	78%
Contrabasses	8	0	0	3	8%
Viola	10	0	0	3	8%
Violins I	11	0	0	5	8%
Violins II	10	0	0	3	8%
Violoncellos	8	0	0	3	8%

Handel Messias

raphael05

3:10	Est. Play Time
95	Measures
	2,721Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	20	0	2	5	100%
Harpsichord	29	155	4	5	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	20	0	2	5	100%
Harpsichord	29	155	4	5	100%
Viola	16	0	2	5	99%
Bassoon	20	0	2	5	98%
Violin I	20	0	1	6	98%
Tenor	13	0	1	5	96%
Violin II	21	0	3	5	96%
Bass	14	0	2	6	95%
Alto	13	0	2	5	92%
Oboe	12	0	0	5	87%
Soprano	12	0	0	5	87%
Trumpet I	11	0	1	5	64%
Trumpet II	7	0	0	5	52%
Timpani	2	0	0	5	51%

Hallelujah Chorus

clcworship

3:17	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	37	1	8	96%
	19	20	1	8	97%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	37	1	8	96%
	19	20	1	8	97%
Voice	12	0	0	8	84%
B♭ Trumpet II	12	0	1	8	51%
B♭ Trumpet I	9	0	0	8	49%

The Hallelujah Chorus from The Messiah

Glyndŵr Alley Music Publishing Group

3:32	Est. Play Time
94	Measures
	4,112Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone	15	0	1	7	100%
	16	0	2	8	99%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone	15	0	1	7	100%
	16	0	2	8	99%
Baritone Horn	14	0	2	8	95%
	16	0	2	7	100%
Baritone Saxophone	17	0	2	7	100%
Alto Saxophone	17	0	2	8	96%
	16	0	1	9	98%
Bass Clarinet	17	0	2	7	98%
Bassoon	17	0	2	7	98%
Horn	13	0	1	8	96%
Tenor	13	0	1	8	96%
Bass	14	0	2	8	95%
C Tuba	14	0	2	8	95%
Trombone	14	0	2	8	95%
Alto	13	1	2	8	91%
BaccidentalFlat Clarinet	13	1	2	8	91%
Flute	12	0	0	8	88%
Glockenspiel	12	0	0	8	88%
Oboe	12	0	0	8	88%
Piccolo	12	0	0	8	88%
Soprano	12	0	0	8	88%
Vibraphone	12	0	0	8	88%
BaccidentalFlat Trumpet I II	11	1	1	8	72%
Bagpipe	9	0	1	8	59%
Timpani	2	0	0	7	50%

HWV26A2 - Non t'inganni la speranza che la ferma tua costanza - in F Major

edward.maurath

2:40	Est. Play Time
134	Measures
	1,102Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	17	2	4	94%
	19	20	3	4	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	17	2	4	94%
	19	20	3	4	100%
Double Bass Continuo	16	0	2	4	94%
Violin 1	20	0	2	5	94%
Violincello Continuo	17	0	2	4	94%
Viola	17	0	2	5	93%
Violin 2	18	0	3	5	93%
Bassoon Continuo	17	0	2	4	89%
Bass as Clodomiro	16	0	3	5	65%
Oboe	12	0	0	5	29%

"Vo' far guerra, e vincer voglio" from "Rinaldo," HWV 7, 1711

edward.maurath

1:46	Est. Play Time
96	Measures
	1,603Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo	24	71	5	8	85%
	25	50	6	8	97%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo	24	71	5	8	85%
	25	50	6	8	97%
Violoncello (Continuo)	18	0	4	7	53%
Violin	18	0	4	7	45%
	17	0	4	7	45%
Contrabassi (Continuo)	18	0	4	6	44%
Violoncelli (Continuo)	18	0	4	6	44%
Armida (Soprano)	14	0	3	8	43%
Viola	14	0	4	4	43%
Oboe	12	0	0	7	30%
	13	0	2	7	30%
Bassoon (Continuo)	14	0	0	6	27%

HWV17a2n16y1724: Cleopatra, "Venere belle" in A Major

edward.maurath

11:30	Est. Play Time
123	Measures
	1,072Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	31	5	5	62%
	26	50	8	5	90%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	31	5	5	62%
	26	50	8	5	90%
Harp	17	18	3	5	45%
	25	61	8	5	90%
Continuo	20	0	5	5	90%
Violino solo	22	0	6	6	85%
Cleopatra	16	0	5	5	67%
Violini	17	0	1	5	38%
Celli	12	0	0	5	35%
Kontrebaß	12	0	0	5	35%

"D'allor trionfante si" from "Il Pastor Fido," HWV 8

edward.maurath

3:15	Est. Play Time
60	Measures
	1,147Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	61	13	6	96%
	19	33	9	5	92%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	61	13	6	96%
	19	33	9	5	92%
Violoncello (Continuo)	16	0	9	4	92%
Violini 1	14	0	8	6	80%
Violini 2	14	0	8	6	80%
Contrabassi (Continuo)	14	0	8	4	73%
Violoncelli (Continuo)	14	0	8	4	73%
Soprano as Eurilla	12	0	8	6	68%
Bassoon (Continuo)	9	0	0	3	42%
Bassoon (Viole)	8	0	0	4	42%
Oboe 1	11	0	0	4	42%
Oboe 2	11	0	0	4	42%
Violas	8	0	0	4	42%